Divine Syncretism in Stone at Chittorgarh: Horse-riding Chandra, Syncretic Indra- Vishnu, and the Goddess Vidhatri
Abstract
Chittorgarh district, located in southern Rajasthan, boasts a rich archaeological and cultural heritage spanning from the Palaeolithic period to the medieval and modern ages. Archaeological sites such as Bhagwanpura, Haziakheri, Nimbahera, and others reveal continuous human activity through various historic phases. The iconic Chittorgarh Fort, a symbol of medieval Indian art and sculpture, showcases temple architecture, palaces and baodies predominantly from the 7th century onward, including notable structures like the Kumbha-Shyam Temple, Kalika Mata Temple, Meera Temple, Satbees Devri Temple, Chitrang Talab, Pratap Palace etc. The fort’s monuments, built over 500 years, reveal a unique amalgamation of regional styles marked by boldness and aesthetic beauty. Sculptures from the 6th century A.D. are preserved under the Archaeological Survey of India and displayed in local museums. The fort’s structures highlight the flourishing of art and architecture during the 8th century and underscore Chittorgarh’s significance as a cultural and architectural hub in Rajasthan. This blend of archaeological depth and artistic richness makes Chittorgarh a critical study area for medieval Indian heritage. This paper aims to explore and study some remarkable sculptures on this fort and highlight their significance in Indian art.
How to Cite
Vikram Jha, Dr. Jayveer Singh, "Divine Syncretism in Stone at Chittorgarh: Horse-riding Chandra, Syncretic Indra- Vishnu, and the Goddess Vidhatri", Vol. 3, Issue 10, 22-01-2026, pp. 112-118.
